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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 109 results for Gio. Giacomo Carlino
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Il Ritratto di Venezia
Domenico Martinelli
1684
Delle Impresse
Gulio Cesare Capaccio
1592
Glorie di Guerrieri e d'Amante in Nuova Impresa nella Città di Taranto succedute Poema Heroico...
Cataldo Antonio Mannarino
1596
The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte)
ca. 1590
Essequie d'Anna Maria Maurizia d'Austria Regina di Francia
Gio. Orazio Rucellai
1666
Alfabeto di Lettere Iniziali
Gaetano Giarré
1797
The Veil of St. Veronica (or Head of John the Baptist on a Plate), plate 4 from "Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi" (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi)
James Nevay
1764
Studies of heads, plate 24 from "Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi" (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi)
James Nevay
1764
A woman holding a flower in her raised left hand, plate 5 from "Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi" (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi)
James Nevay
1764
The Genius of Castiglione
Giovanni Benedetto Castiglione (Il Grechetto)
ca. 1645–47 (published 1648)
Giovanni Battistsa Bourbon Del Monte, from Effigie naturali dei maggior prencipi et piu valorosi capitani di questa eta con l'arme loro
Giacomo Franco
1596
Christoph von Teuffenbach, from Effigie naturali dei maggior prencipi et piu valorosi capitani di questa eta con l'arme loro
Giacomo Franco
1596
Perspective view of the same candelabrum, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Giovanni Battista Piranesi
1778–80
Marble vase with pedestal from Hadrian's Villa, Tivoli, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)valieri Giovanni Battista Piranesi)
Giovanni Battista Piranesi
1778–80
Stanza di Venti nel Teatro di Belvedere di Frascati
Giovanni Battista Falda
1660–78
The Holy Family with angels at right and overhead
Giovanni Battista Beinaschi
1652
Catafalque for Pope Clement X; central structure at the top of a fifteen step platform, with columns surmounted by candelabra at each of the four corners
Giovanni Battista Falda
1676
Catafalque for Pope Clement X: a central structure raised on a 15 stepped platform, with columns surmounted by elaborate candelabra at each corner
Giovanni Battista Falda
1676
Papal conclave following the death of Pope Alessandro VII, with an iconographic map of Vatican City and scenes of the funeral, procession, and election of the new pope
Giovanni Giacomo De Rossi
1667
Theater in Saint Peter's Basilica for the Canonization of Gaetano Thiene and Francis Borgia on April 12, 1671
Giovanni Battista Falda
1671
Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning
Pietro Testa
ca. 1640
Saint Jerome before a crucifix accompanied by a lion and three putti
Pietro Testa
ca. 1631–37
Narcissus and Echo
Frans van der Neve
17th century
The Holy Family attended by Angels
Pietro Testa
ca. 1642–44
Theseus finding his father's arms
Giovanni Benedetto Castiglione (Il Grechetto)
1645 (published 1648)
Mars and Venus
Fabrizio Chiari
1635–49
An allegory of the rest on the flight into egypt
Giovanni Cesare Testa
1650–55
Adoration of the Shepherds
Giuseppe Maria Mitelli
1654–1718
The Education of Achilles
Giovanni Cesare Testa
1650–55
The Vision of Ezekiel
Giorgio Ghisi
1554
The Mocking of the Prisoners
Giorgio Ghisi
ca. 1540 (republished 1605)
Three Luchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague
Pietro Testa
ca. 1630–31
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
1637–38
Venus and Adonis, surrounded by many putti, reclining after the hunt, with a dead boar in the lower right
Pietro Testa
1631–37
Fontana di Belvedere á Frascati (...), from 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)', part 2, 'Le fontane delle ville di Frascati' (plate 5)
Giovanni Battista Falda
1691 or after
Book IV, plate 7: the fountain of the Tiburtine sibyl in the garden at Villa d'Este, Tivoli, from the series 'The fountains of the Este garden in Tivoli' (Le fontane del Giardino Estense in Tivoli)
Giovanni Francesco Venturini
ca. 1676–1700
Veduta di Tutta la Basilica Vaticana (...) from: Il Nuovo Teatro delle Fabbriche, et Edificii, in Prospettiva di Rome Moderna (...)
Giovanni Battista Falda
1665–69
Piazza e Portici della Basilica Vaticana from: Il Nuovo Teatro delle Fabbriche, et Edificii, in Prospettiva di Rome Moderna (...)
Giovanni Battista Falda
1665–69
French general handing Directory order to Pope Pius VI after invasion of Rome
Giovanni Petrini
1801
The martyrdom of Saint Erasmus who is prostrate having his innards removed
Anonymous, 17th century
1630–60